To begin with, Bigger’s reply that “I don’t own any property” leads readers to recognize that this twenty-year-old African-American man from Chicago is, by definition, a proletarian, namely, a working-class man with no property other than his own labor power. Wright explains that Native Son as a warning about the dangerous potential inherent in such a system.This conversation foregrounds three significant issues at the core of the novel.

Further, Bigger is also based on the many whites Wright saw after moving to Chicago, whites living under the “ruthless and impersonal commodity profit machine,” of which the Jim Crow South was but a part. In this essay Wright states that the main character of his novel Native Son is an amalgam of Black men the author observed while growing up in the Jim Crow South. Two first editions, one an author’s autograph copy. Richard Wright, 1908-1960 How Bigger was Born the Story of Native Son. The essay caused a rift between the two that never healed. Before the appearance of Baldwin’s piece, Wright had functioned as a mentor to the younger author. By contrast, Baldwin suggests that African Americans need to recognize the humanity they possess, rather than seeking to reclaim it through the type of violence Bigger carries out. In Baldwin’s view, Wright’s novel presents a character (Bigger) who is an implicit acceptance of “monstrous” images associated with Black men. In one essay (“Everybody’s Protest Novel”) in this famous collection, Baldwin presents a harsh critique of protest fiction, including Native Son.

James Baldwin, 1924-1987 Notes of a Native Son. This first edition of the book has a Book-of-the Month Club review laid in. Interestingly, the book was also a Book-of-the-Month Club selection with a large white readership. It sits firmly in the tradition of protest fiction, and reflects the social determinism Wright discovered in the theories of the Chicago School of Urban Sociology. First edition.Ĭritic Henry Louis Gates has written, “If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” This landmark work presented the world with Bigger Thomas, a tragically flawed product of a racist society.

Native son 1940